quarta-feira, 7 de outubro de 2015

Masumi's Dream

Masumi's Dream

Mr Masumi had a dream
In his dream he was sleeping
Through a faintly opened window
a dimmed light penetrated the
inside, somehow
humming a note of silence
On his walls, a maelstrom
of ants, moths, centipedes -
some were walking in lines
other just standing
still
as if happy
with that –
obscured the meaning of life
outside
the dream

Mr Masumi told us, then, that
was everything
he remembered from the
dream

Until yesterday
Mr Masumi visited me at
work. He held a gracious look
in his eyes an intense
juvenile luster
A few days before, he
had been blessed with a few
more inches of the film
he dreamed. At first, he was afraid
all that insect paraphernalia
would have killed him
in his sleep or maybe left him
bleeding over
his white linen; but no -
at this point, he took another sip
of his black coffee and I
couldn't help noticing how surreal
it suddenly got:
no longer at my office
instead, there was a round table, outside
just near a road, but no traffic
the landscape resembled something familiar
dry, arid, with angular objects
fitting across the fields as
beasts waiting for the
prey
I had a wine glass filled with coffee, too
It was a pleasurable afternoon -
amazingly – he went on -
all the ants
formed lines, so consistently moving
in their trails
movement, slowly, got erased from perception
and then one ant fell to floor -
he made a painful gesture
and a clashing sound -
then the second ant, the third
they were falling as if the dream
for them
had come to an end
This scenario went on for a while
I was scared as hell, though
my other I, the one sleeping in
the dream, looked like
an angel
I wanted to get closer to
my self
and feel how it feels
even if just in a
dream
but the ants kept falling
and walking
and on the walls, now
it was clear
words were being shaped
in the gaps
ants left

There was no time
to ask him the obvious question
In this exotic story, not even
Masumi's shadow was real
I finished my coffee, which by now
tasted as wine and
moved back into office

Above my desk, two
clocks displayed time
fighting for attention with
a sense of humor
However it was a folded
paper
stuck into my keyboard
I grabbed and opened
first
The message, balancing
before my eyes
- as a phantom -
Keep dreaming
Signed, Masumi.


© 2015, José Eduardo Coelho

Maybe Flowers

*Maybe Flowers*

Objects, apparently
inoculate some neutrality
among people

The simple presence
of a table between strangers
or a glass vase
a glass, a clean, transpicuous, empty glass
Maybe flowers -
flowers mean much more
than the space they
occupy
Their invisible moistened arms
embrace strangers
their color
speaks of composition
their scent
becomes an addiction
Why not the sun
The sun will undress
strangers and make them
think
in liquid blank verse
think
in blind sentences
or even melt
the bodies, the objects

Guns are objects, too
Too often found on tables
between strangers

© 2015, José Eduardo Coelho



segunda-feira, 5 de outubro de 2015

Hermits Know It

Hermits Know It

Silence is always a good start
to flatten the water surface
and look beneath
the mirror in your eyes

But few want to
dive into such network of
detail – an auto defense tool
against self awareness niemity
and memory porn

Moreover, silence is
unique and therefore, expensive -
hermits know it
and hummingbirds too

I word this now
as I behold the coming storm
from the top
of my mountain – higher clouds
presume and contain
by no planned means
a change of seasons

The wind is blowing hard.

© 2015, José Eduardo Coelho

sábado, 3 de outubro de 2015

A Case Of Wine


A Case Of Wine

aloofness
will lap earth
& men wither under
a white layer
of snow

these were the words
in her mouth
lingering
in the warmth
of our kiss -
which we endured

and anything else
were dead
rats.

© 2015, José Eduardo Coelho

The Seraphim


The Seraphim

Even burning up

spread his wings
showing exuberance

and flew

Ardor shortening the eternal distance
to God.

© 2015, José Eduardo Coelho

sexta-feira, 2 de outubro de 2015

A Trivial Pogrom

A Trivial Pogrom

At a steady pace, frescoes
fell, inscriptions were scratched
leaving a naked
dome, staring, cold
into a night of
crystals;
her words - a dead silent
hiding spring within syllables-
caged angels
for as long as heaven's
broken fantasy
dwelt in
hell

and he
became meaningless
consuming what was left unburnt -
landscapes of human transition
seraphic jewelry hanging
from fruitless trees
tongues mouthing no more about
breasts
but machine guns
teasing
fucking
filtering improper, filthy scummy sand
from skewed
mouths

(
what is the color of red? When red
is all
you see?
)

Years later
we will ask, How was it possible?
They will and we
will!
and thus it is written.

© 2015, José Eduardo Coelho


quinta-feira, 1 de outubro de 2015

Concurrent Lines

Concurrent Lines

Don't look for the moment
just be aware of its existence

close your blinds and
wait

pray that it shall cross your life
once, only once
for that will be it
and you will know, then
breathing, dreaming, loving
will mean nothing
unless you fully
give yourself genuinely
when time
comes

© 2015, José Eduardo Coelho